The Spirit is the latest movie movie to utilize the widely popular CGI backdrops made famous in films like Sin City and 300. These two movies have one common thread, that is they are based on the graphic novels of Frank Miller. The Spirit, however, is Miller’s take on the work of comic writer-artist Will Eisner. It also marks Miller’s first solo foray into the world of directing. In Sin City, he co-directed with Robert Rodriguez. 300, while based on Miller’s original work, was directed by Watchmen visionary Zack Snyder. How did Miller fare in his solo directorial debut? Read on..
Let me start off by saying that despite the many visual similarities between the two movies, The Spirit is NOT Sin City 2. In fact, other than Miller having worked on both films, the two really have nothing in common other than a slightly similar visual style. The Spirit is the story of a mysterious masked crime fighter of the same name (Gabriel Macht) with amazing regenerative and healing abilities. He is pitted against his arch nemesis The Octopus (Samuel L. Jackson), as the two race to recover a missing package whose contents have the potential to doom the entire city. There are a few more details thrown in there, but that is pretty much the entire story.
I don’t have much experience with the source material other than reading a few issues, but let me just say that the movie version is definitely Miller’s interpretation of the Spirit mythos. While it isn’t exactly a bad interpretation, he takes a great deal of liberties with a lot of the characters, from their origins to their actual characteristics. This is actually quite forgivable, as Miller’s version seems more tailored for the big screen. The problems arise in Miller’s overall presentation.