Public Enemies (Theaters)

When I first heard that Michael Mann was directing a flick based on the bank robbing exploits of John Dillinger, I knew it was definitely one to watch for. I love Mann’s directing style, his incredible attention to detail and accuracy, and the overall authenticity that goes into each of his projects. Not to mention the fact that he has directed both ‘The Last of the Mohicans’ and ‘Heat’, which rank up there on my all time favorite films list.  Throw in Johnny Depp as the lead character with Christian Bale playing his FBI nemesis and you’ve got all the makings of another excellent movie.

 The movie starts with John Dillinger escaping from prison and making his way back to Chicago.  He immediately puts to use all the knowledge he had gained from prison as he and his crew start hitting banks all over the country. His exploits gain him public fame, as the entire nation is suffering from an economic depression as a result of the corrupt banking system.  He is viewed as a type of Robin Hood, however not everyone shares the positive perception of Dillinger. FBI (back then it was still just the Bureau of Investigation) Director J.Edgar Hoover views Dillinger as his ticket to get the FBI on the map. Hoover seeks to set up federal guidelines for the pursuit and punishment of criminals who commit crimes across state lines and he wants to position the Bureau as the organization in charge of all of this. 

Hoover’s plans create more problems for Dillinger, as the mob fears Dillinger’s actions will bring additional attention on to them.  Robbing banks is viewed as a thing of the past, as the mob is far more profitable from its underground gambling ring than it ever was from robberies.  Hoover has named Dillinger ‘Public Enemy Number One’, making him the most wanted man in America. To make matters worse, Hoover has tasked unrelentingly persistent Agent Melvin Purvis (Christian Bale) with bringing in Dillinger and his gang- dead or alive.  In spite of all this, Dillinger still manages to find love along the way in the form of Billie Frechette, a former coat check girl whom Dillinger becomes instantly smitten with.  A good portion of the movie manages to focus on the relationship between the two of them, which helps to convey who Dillinger was as a person and not just his public persona.

 The cast as a whole is rather good. Christian Bale receives next to top billing in this film, although his character only appears in roughly one fourth of the movie. Sadly, Bale is given relatively little to do, other than pursue Dillinger. However, for a man as persistent as Melvin Purvis, Bale plays his character with a lack of intensity.  His portrayal was not bad by any means, I just felt overall that his performance failed to convey the passion and determination of someone as dedicated as Purvis, which is a shame since we know Bale is capable of so much more.  Billy Crudup (who played Dr. Manhattan in Watchmen earlier this year) does an excellent job of portraying FBI director J. Edgar Hoover. When you see Crudup and hear his voice, you really feel like you are watching some old news footage from the 1930s.  I felt his portrayal was spot on and he really brought the FBI director to life.

Then there is Dilllinger’s love interest, Billy Frechette, played by Marion Cotillard. She does a good job in her role, although nothing too memorable. Her chemistry with Depp’s Dillinger was great and you really felt like they cared for one another. This will sound bad, but she just didn’t seem pretty enough to me. Dillinger could have had his choice of women, yet he chose her. However, she didn’t really convey anything that made her special to me.

Dillinger’s gang was even less memorable. I followed the movie pretty closely when I was watching, but at times I was hard pressed to figure out who the hell was so and so. When I watched ‘Heat’ for the first time, I distinctly remembered each fictional crew member even if I didn’t know their names. In this film, none of them really stood out even though they were based on real life semi famous people in history.  The only one who stood out to me was Baby Face Nelson, portrayed excellently by Stephen Graham. He had a real psychopathic quality to him and you never knew when he would erupt and just start killing people. Other than him, the rest of the gang may as well have been portrayed by extras.

This brings us to the man himself, Johnny Depp as John Dillinger. Depp is excellent in this role, as he usually is. He does an excellent job of conveying everything about Dillinger, from his swagger to his emotions. While I originally pictured Dillinger to be a bit more flashy than Depp’s portrayal, he manages to find a solid common ground between the real man and his myth.  Johnny Depp always manages to convey a sense of inner turmoil, and his portrayal of Dillinger was no different, adding depth and realism to such an iconic figure.

Overall, I thought Public Enemies was a great film, but nowhere near what I thought it’s potential would amount to. While the previews make it look like an action filled bank robbery flick, the movie is really a story about the last months in the life of a famous man whose real persona was only really known by a few select people. While the film itself took quite a few liberties with the real life events, it is very enjoyable. I highly recommend this movie, but only if you are prepared to go see a film focused on the character of John Dillinger rather than a movie about his bank robbery shoot outs.

Terminator Salvation (Theaters)

I’ve always loved the Terminator series. James Cameron’s iconic first two films are two of my favorite movies of all time. T3 Rise of the Machines, was no where near the greatness of the originals, but for every thing it did wrong it managed to do something right, and the movie overall was pretty good. Which brings us to Terminator Salvation, the latest sequel to feature another director’s take on Cameron’s universe, which brings us to the forefront of the future war between John Connor and humanity vs. the ruthless Skynet. 

Salvation, directed by McG, tells the story of the future human resistance fighting for survival against the all powerful Skynet. This is a battle that Terminator fans have dreamt of ever since the future glimpses from the first two films.   A battle torn earth being ravaged by Terminator robots in all of their metal exo-skeleton glory.  To say that there is a lot of substance involved in the treatment of this portion of the story is an understatement, however Salvation has no such substance at all.  The plot is disjointed and feels almost like a bunch of trailers sewn together than one complete movie.

There isn’t much story so I won’t get into that at all, instead we’ll examine the major players. Christian Bale as John Connor is decent at best. I am a big fan of Bale’s work, but he really seems to have phoned in this performance. I understand he is supposed to be the battle hardened bad ass version of Connor, but he does little except yell and snarl his lines. I admit the previous incarnations of Connor were a bit whiny and annoying, but they were also very human and gave decent insight in to why Connor is the way he is and how he eventually morphs into the great leader he is destined to be. It is as if Bale just did his own take on the character, reducing him to someone who barks every line spoken and it’s a mystery as to why anyone would want to follow him in the first place.

Then there is Anton Yelchin as Kyle Reese, the man Connor sends back in time to father…Connor. I think this kid is going to blow up in all kinds of movies in the near future. While I was convinced that no one could rival Michael Biehn’s portrayal of Reese from the first Terminator, Yelchin does a decent job.  Most will recognize him as Chekov, from the newly revamped Star Trek, yet none of the goofiness of his other portrayal makes its way into this film. This Kyle Reese is all business. He does a good job of portraying Reese as a teenager and he shows the audience exactly how he becomes the the Kyle Reese we are introduced to in 1984.  Its a shame that Bale didn’t take a similar approach to his portrayal of Connor.

This brings us to the wild card of the cast, Marcus Wright played by Sam Worthington. Worthington is decent as the troubled Marcus, the only noticeable thing is his Australian accent creeping out every other line. I think they should have just let him run with the accent, after all it worked for Arnold in previous films.  Anyways, Worthington is decent, but his character is a bit awful. For those of you who don’t know  SPOILER ALERT ……….Marcus was a death row inmate who donated his body to science, only to wake up unknowingly transformed into a Terminator. Thats right. Marcus is a “human” terminator that can feel emotions, make decisions, but still has that cool metal skeleton and all of the other perks that come with being a Terminator.  This would actually be one of the decent plot devices the film has, if it weren’t so highly publicized repeatedly in the trailers. Then again the film doesn’t do a good job of disguising this fact. Marcus wakes up naked in a lightning storm looking for clothes. Insert “you might be a terminator” comment here.

Finally, we have McG’s directing. Technically, his directing is pretty good. He manages to maintain good shots that capture the action so there isn’t that disorienting feeling of wondering who is getting hit and whats going on.  As far as emotionally, he doesn’t really seem to get too much out of his actors’ performances. Either that or everyone on this production is on the exact same page in their visualization of the Terminator universe, which would be a shame. The effects and new Terminators in this movie are all pretty cool, but to be honest most of it seems like a scaled down version of Transformers. While a lot of the action looks pretty good, it is nothing we haven’t seen done better in other movies before and definitely not solid enough to salvage the entire film.

Perhaps the biggest thing about this movie is how meaningless it is ultimately. Nothing happens in the end and nothing is resolved, other than the ball being dropped. There is a scene in which Skynet captures Kyle Reese. Rather than just killing him and effectively preventing the birth of John Connor, they simply hold him to use as bait. This is obviously a huge fumbled opportunity and it captures the essence of the entire film perfectly.

There is so much potential, or was so much, in the future story of John Connor and the resistance, yet this film managed to obliterate any desire to see what happens. Its obvious that they are trying to milk this into becoming perhaps a new trilogy, as evidenced by the lack of any resolution in this first film. But it also becomes clear that trying to strecth out what they currently have is like watering down water.  Usually I would tell people to just check it out on their own, but I can’t honestly recommend this film in theaters. I would tell even the most die hard fans to wait for DVD. If this movie is any indication on the future of the franchise, consider it terminated…hehe.

Terminator Salvation (Theaters)

I was actually quite disappointed when I initially heard that Fox decided to cancel the sci-fi series, Terminator: The Sarah Connor Chronicles. I felt there was alot going for it, yet there was a part of me which understood that the story could only be taken so far. After watching Terminator Salvation, it just reaffirmed that understanding.

After the huge success of both The Terminator and T2, the storyline of the Connors versus Skynet becomes overused and all too familiar. Without much room to deviate from its theme, the franchise inevitably loses its mystique and becomes dull and overplayed. To cope with this, Terminator Salvation attempts to draw its audience in with a terrific action spectacle filled with explosions, car chases, and excessive gunfire. This initially works, but without any real story going for it, the movie itself becomes a mindless and pointless mess. The only real treat for moviegoers would be the new types of machines used in the film, but beyond the special effects, the film is quite hollow.

Christian Bale does try his best to keep this film afloat, but with such a limited dialogue to work with and a subpar plot, he is in no position to do that. It’s quite appalling really, when you consider how successful his previous role as the “Cape Crusader” was. I’m sure this film wont slow him down however, and he’ll do quite well when the next installment of Batman hits the cinema.

Entertainment wise, this film should appease those who are fans of hardcore action and violence. I’d skip this one completely if you need a storyline to keep you entertained. This film has none of it.

Synopsis:

In the highly anticipated new installment of The Terminator film franchise, set in post-apocalyptic 2018, Christian Bale stars as John Connor, the man fated to lead the human resistance against Skynet and its army of Terminators. But the future Connor was raised to believe in is altered in part by the appearance of Marcus Wright (Sam Worthington), a stranger whose last memory is of being on death row. Connor must decide whether Marcus has been sent from the future, or rescued from the past. As Skynet prepares its final onslaught, Connor and Marcus both embark on an odyssey that takes them into the heart of Skynet’s operations, where they uncover the terrible secret behind the possible annihilation of mankind. (Rotten Tomatoes)